International Printmaking Conference 'Post-digital printmaking. Redefinition of print' will be held at the Center for Applied Arts. Center for Innovation (CSU.CI), Traugutta Street 19/21, Wrocław from 6th to 8th December, 2017
From 6th to 8th December, 2017 at the Center for Applied Arts. Center for Innovation (CSU.CI), Traugutta Street 19/21 an International Printmaking Conference 'Post-digital printmaking. Redefinition of print' will be organized by Pritnmaking Department, Faculty of Graphics and Media Art.
The program of the conference includes: lectures // papers // incubators // mentoring sessions // exhibitions // publications
06.12.2017 / WEDNESDAY
10:00–16:00 entrance hall CSU.CI
participant registration
16:00 / Auditorium 410
welcome speech
prof. Christopher Nowicki, The Eugeniusz Geppert Academy of Art and Design in Wrocław (PL)
17:00 / Neon Gallery, Concrete Callery
exhibition opening
18:00 / Kitchen / 6th floor
welcome cocktail
07.12.2017 / THURSDAY
9:30–10:30 / Auditorium 410
keynote lecture I
prof. Endi Poskovic, University of Michigan / Penny W. Stamps School of Art & Design, Ann Arbor, Michigan (USA)
10:30–11:00 / coffee break
PANEL 1
11:00–13:00 / Auditorium 410
Looking Through the Eyes of Machines as Humans
dr Paul Laidler, The Centre for Fine Print Research at the University of the West of England, Bristol (UK)
Inside the image file – printmaking by means of digital errors
asst. Paweł Puzio, The Eugeniusz Geppert Academy of Art and Design in Wrocław (PL)
The Vicissitudes of Print Practice in the Post Digital Era
assoc. prof. Karen Oremus, Zayed University, College of Arts and Creative Enterprises, Abu Dhabi/ Dubai (AE)
Edge effect: printmaking as an inter-medium
dr Katarzyna Zimna, Politechnika Łódzka (PL)
Workshop results. Screen print with Processing: From digital creation to manual print
dr Mónica Oliva Lozano, Complutense University of Madrid (CUM), Faculty of Fine Arts (ES)
The architecture of a printing matrix
dr hab. Marcin Surzycki, Akademia Sztuk Pięknych im. Jana Matejki w Krakowie (PL)
13:00–14:00 / lunch break
PANEL 2
14:00–15:30 / Auditorium 410
Shifting Identities: At the Intersection of Printmaking and Technology
assoc. prof. Michelle Murillo, California College of the Arts, San Francisco, California (USA)
Genes, Memes, Techne. Art, Nature and Information
dr hab. Andreas Guskos, Akademia Sztuki w Szczecinie (PL)
Print_Screen: Surface, Depth and the 3D Rendered Image
Bethan Hughes, PhD candidate at the School of Fine Art, History of Art and Cultural Studies, University of Leeds (UK)
Perfection and glitch. The influence of digital thinking on the works of Kamil Kocurek and Piotr Żaczek
dr Marta Raczek Karcz, Akademia Sztuk Pięknych im. Jana Matejki w Krakowie (PL)
15:30–16:00 / coffee break
16:00–17:30 / mentoring session I
assoc. prof. Kristina Paabus, Studio Art, Reproducible Media, Oberlin College, Ohio (US)
16:00–17:30 / incubator session I
News from the global village: Printmaking's not dead
Lisa Rein, Freelance Graphic Designer, Student at University of Lapland (FI) / Sala 120 / Room 120
8.12.2017 / FRIDAY
9:30–10:30 / Auditorium 410
keynote lecture II
Richard Noyce, freelance writer, curator, lecturer and artist, Contributing Editor, Europe, 'art bahrain' (UK)
10:30–11:00 / coffee break
PANEL3
11:00–13:00 / Auditorium 410
Co-existence. The future of printmaking
prof. Mirosław Pawłowski, Uniwersytet Artystyczny w Poznaniu (PL)
Space scans. Between a digital matrix and planographic printing
dr Jarosław Janas, Uniwersytet Artystyczny w Poznaniu (PL)
Liberated printmaking. The effects of the redefinition of the medium
prof. Andrzej Węcławski, Akademia Sztuk Pięknych w Warszawie (PL)
The expanded graphic world in only four pages. Results from the project "Navigate the sheet: open, splash, close" and the participation at the International Encounter of Graphical Interaction, Original Print and Edition 2017, "El Pliego/le Pli/a Folder"
dr Carmen Hidalgo de Cisneros Wilckens, Complutense University of Madrid (ES)
The physics of an image. Graphic imaging as a universal area and language of printmaking. Stereoscopy
prof. Grzegorz Banaszkiewicz, Akademia im. Jana Długosza w Częstochowie (PL)
Resonating the Visual: Printmaking and Sound Practice
res. asst. Magda Stawarska-Beavan, University of Central Lancashire (UK)
13:00–14:00 / lunch break
PANEL 4
14:00–15:30 / Auditorium 410
Alintaglio. A method for ideas
prof. Krzysztof Tomalski, Akademia Sztuk Pięknych im. Jana Matejki w Krakowie (PL)
Latexgraphy, an open-ended process. The skin as a matrix in experimental printmaking
Priscilla Romero M.F.A., School of Art and Visual Communication, National University of Costa Rica (CR)
Heat-seal transfer printing – a printmaker's freedom or technological exile
dr hab. Małgorzata Warlikowska,The Eugeniusz Geppert Academy of Art and Design in Wrocław (PL)
Water Transfer Print (Hydrographics). A method of applying printed designs onto three-dimensional surfaces
Mariusz Maślanka, student, The Eugeniusz Geppert Academy of Art and Design in Wrocław (PL)
15:30–16:00 / coffee break
16:00–17:30 / mentoring session II
Pixel versus Point. The mythology of reality. Grzegorz Dobiesław Mazurek – some words about my works
prof. Grzegorz Dobiesław Mazurek, Uniwersytet Marii Curie-Skłodowskiej, Lublin (PL)
16:00–17:30 / inkubator session II
Digital reality – digitality of reality
prof. Zbigniew Gorlak, Akademia Sztuk Pięknych w Gdansku (PL) / Sala 120 / Room 120
17:30 / Auditorium 410 / closing speech
COLLATERAL EVENTS
Patricia Villalobos Echeverría, Retrace | exhibtion
November 22nd – December 8th, 2017 | Behind the Glass Gallery, ASP Wrocław, Plac Polski 3/4
Opening | November 22th 2017, 2:00 p.m.
Kamil Kocurek, The Game | Curator: dr Agata Gertchen
December 6th, 2017–January 6th, 2018
Concrete Gallery, CSU.CI | 6th floor
Opening, 6 grudnia 2017, godz. 17:00 | December 6th 2017, 5 p.m.
Paweł Puzio, Pollution | exhibtion
22-30 November 2017 | Aula, ASP Wrocław, Plac Polski 3/4
Opening | November 22th 2017, 2:30 p.m.
Conference Post-digital printmaking. Redefinition of print is co-funded by the City of Wroclaw as a part of the Wroclaw Scientific Conferences Programme held by the Scientiae Wratislavienses Fund.
